boring adj : so lacking in interest as to cause mental weariness; "a boring evening with uninteresting people"; "the deadening effect of some routine tasks"; "a dull play"; "his competent but dull performance"; "a ho-hum speaker who couldn't capture their attention"; "what an irksome task the writing of long letters is"- Edmund Burke; "tedious days on the train"; "the tiresome chirping of a cricket"- Mark Twain; "other people's dreams are dreadfully wearisome" [syn: deadening, dull, ho-hum, irksome, slow, tedious, tiresome, wearisome]

1 the act of drilling [syn: drilling]

2 the act of drilling a hole in the earth in the hope of producing petroleum [syn: drilling, oil production]

English

Pronunciation

• Rhymes: -ɔːrɪŋ

Verb

boring

1. Present participle of to bore

Adjective

1. That causes boredom in somebody.

Synonyms

• dull, mind-numbing qualifier colloquial, tedious

Related terms

• bore
• bored
• boredom

Translations

• Catalan: avorrit
• Chinese: 乏味
• Czech: nudný
• Dutch: saai
• Finnish: tylsä (1), tylsistyttävä (1)
• French: ennuyeux , ennuyeuse , barbant
• German: langweilig
• Greek: τρυπώντας
• Hebrew: משעמם (mesha'amem) , משעממת (mesha'amemet)
• Icelandic: leiðinlegur
• Ido: enoyiganta, enoyigiva
• Italian: noioso, noiosa
• Japanese: つまらない, 退屈な
• Korean: 무료한
• Norwegian: kjedelig
• Persian: (kesel-konandeh) (malaal-aavar)
• Portuguese: entediante, enfadonho adj
• Russian: сверлильный , сверлильная , сверлильное , сверлильные p
• Slovene: dolgočasen , dolgočasna , dolgočasno
• Spanish: aburrido, aburrida
• Swedish: tråkig
• Turkish: sıkıcı

Boredom is an emotional state experienced during periods of lack of activities or when individuals are uninterested in the activities surrounding them.

Etymology

The first record of the word boredom is in the novel Bleak House, by Charles Dickens, written in 1852, although the expression to be a bore had been used in the sense of "to be tiresome or dull" since 1768.

Psychology

Boredom has been defined by Fisher in terms of its central psychological processes: “an unpleasant, transient affective state in which the individual feels a pervasive lack of interest in and difficulty concentrating on the current activity.” M. R. Leary and others define boredom similarly, and somewhat more succinctly, as “an affective experience associated with cognitive attentional processes.” These definitions make it clear that boredom arises not from a lack of things to do but from the inability to latch onto any specific activity. Nothing engages us, despite an often profound desire for engagement.

There appear to be three general types of boredom, all of which involve problems of engagement of attention. These include times when we are prevented from engaging in something, when we are forced to engage in some unwanted activity, or when we are simply unable, for no apparent reason, to maintain engagement in any activity or spectacle.

An important psychological construct is that of boredom proneness; a tendency to experience boredom of all types. This is typically assessed by the Boredom Proneness Scale. Consistent with the definition provided above, recent research has found that boredom proneness is clearly and consistently associated with failures of attention. Boredom and boredom proneness are both theoretically and empirically linked to depression and depressive symptoms. Nonetheless, boredom proneness has been found to be as strongly correlated with attentional lapses as with depression.

Although boredom is often viewed as a trivial and mild irritant, boredom, and especially boredom proneness has been linked to an amazingly diverse range of psychological, physical, educational, and social problems.

Philosophy

Boredom is a condition characterized by perception of one's environment as dull, tedious, and lacking in stimulation. This can result from leisure and a lack of aesthetic interests. Labor, however, and even art may be alienated and passive, or immersed in tedium (see Marx's theory of alienation). There is an inherent anxiety in boredom; people will expend considerable effort to prevent or remedy it, yet in many circumstances, it is accepted as suffering to be endured. Common passive ways to escape boredom are to sleep or to think creative thoughts (daydream). Typical active solutions consist in an intentional activity of some sort, often something new, as familiarity and repetition lead to the tedious.

Boredom also plays a role in existentialist thought. In contexts where one is confined, spatially or otherwise, boredom may be met with various religious activities, not because religion would want to associate itself with tedium, but rather, partly because boredom may be taken as the essential human condition, to which God, wisdom, or morality are the ultimate answers. Boredom is in fact taken in this sense by virtually all existentialist philosophers as well as by Schopenhauer. Heidegger wrote about boredom in two texts available in English, in the 1929/30 semester lecture course The Fundamental Concepts of Metaphysics, and again in the essay What is Metaphysics? published in the same year. In the lecture, Heidegger included about 100 pages on boredom, probably the most extensive philosophical treatment ever of the subject. He focused on waiting at train stations in particular as a major context of boredom. In Kierkegaard's remark in Either/Or, that "patience cannot be depicted" visually, there is a sense that any immediate moment of life may be fundamentally tedious.

Without stimulus or focus, the individual is confronted with nothingness, the meaninglessness of existence, and experiences existential anxiety. Heidegger states this idea nicely: "Profound boredom, drifting here and there in the abysses of our existence like a muffling fog, removes all things and men and oneself along with it into a remarkable indifference. This boredom reveals being as a whole."

Arthur Schopenhauer used the existence of boredom in an attempt to prove the vanity of human existence, stating, "...for if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us."

Erich Fromm and other similar thinkers of critical theory speak of bourgeois society in terms similar to boredom, and Fromm mentions sex and the automobile as fundamental outlets of postmodern boredom.

Above and beyond taste and character, the universal case of boredom consists in any instance of waiting, as Heidegger noted, such as in line, for someone else to arrive or finish a task, or while one is travelling.

Boredom, however, may also increase as travel becomes more convenient, as the vehicle may become more like the windowless monad in Leibniz's monadology. The automobile requires fast reflexes, making its operator busy and hence, perhaps for other reasons as well, making the ride more tedious despite being over sooner.

Causes and effects

Although it has not been widely studied, research on boredom suggests that boredom is a major factor impacting diverse areas of a person's life. People ranked low on a boredom-proneness scale were found to have better performance in a wide variety of aspects of their lives, including career, education, and autonomy.

Boredom can be a symptom of clinical depression. Boredom can be a form of learned helplessness, a phenomenon closely related to depression. Some philosophies of parenting propose that if children are raised in an environment devoid of stimuli, and are not allowed or encouraged to interact with their environment, they will fail to develop the mental capacities to do so.

In a learning environment, a common cause of boredom is lack of understanding; for instance, if one is not following or connecting to the material in a class or lecture, it will usually seem boring. However, the opposite can also be true; something that is too easily understood, simple or transparent, can also be boring. Boredom is often inversely related to learning, and in school it may be a sign that a student is not challenged enough (or too challenged). An activity that is predictable to the students is likely to bore them.

Boredom has been studied as being related to drug abuse among teens.

Boredom has been proposed as a cause of pathological gambling behavior. A study found results consistent with the hypothesis that pathological gamblers seek stimulation to avoid states of boredom and depression.

Popular culture and the arts

In Chapter 18 of the novel The Picture of Dorian Gray by Oscar Wilde (1854–1900) it is written; "The only horrible thing in the world is ennui, Dorian. That is the one sin for which there is no forgiveness".

Iggy Pop, the Deftones, Buzzcocks, and Blink-182 have all written songs with boredom mentioned in the title. Other songs about boredom and activities people turn to when bored include Green Day's song "Longview", System of a Down's "Lonely Day", and Bloodhound Gang's "Mope".

Douglas Adams depicted a robot named Marvin the Paranoid Android whose boredom appeared to be the defining trait of his existence in The Hitchhiker's Guide to the Galaxy.

See also

• Apathy
• Dysthymia
• Motivation

References

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